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Angel Howard
Angel Howard

Anamorphic Lens Buy


Our anamorphic lens kits are cinema-grade lenses adaptable for modern DSLR and cinema cameras. Anamorphic lens lits attach to the front filter thread of a prime lens and double the horizontal view. This results in unique lens flares and beautiful painted bokeh that brings an image apart from the typical spherical look.




anamorphic lens buy



Orion Series deliver the striking beauty of painterly waterfall bokeh, disproportionate breathing, and signature yet controlled flare. Create work that's more interesting, more personal, and more rewarding with Atlas anamorphic lenses.


While anamorphic lenses became popular in analogue filmmaking, as cinematographers explored the visual impact of the wider CinemaScope aspect ratio (opens in new tab), they have enjoyed a surge in popularity among digital filmmakers who want to use the best cine lenses (opens in new tab) available. No longer do you need an anamorphic projection lens to correct the squeezed image; now this can all be done in post-production.


Enhance your smartphone cameras and get unique perspectives. Create professional cinematic shots and take beautiful photos by utilizing one of the Beastgrip lenses. In any situation, any desired shot we have it all covered!


The best anamorphic lens on the market has arrived. The new Beastgrip Pro Series 1.33X Anamorphic Lens MK2 is the perfect lens for storytelling, documentaries, and landscape shots. The new optical design delivers an even crisper image and produces an unseen amount of details. A beautiful widescreen 2.4:1 aspect ratio and organic horizontal lens flares will make your footage look more cinematic and will give it that Hollywood movie feel.


Lens flares occur when non-object related light enters the camera and is scattered by the lens. The effect can add a heightened sense of time and place to an image, making the viewer feel as though they are right there with the actors.


Not every smartphone glass lends itself to producing these stunning non-image effects, but our Pro Series 1.33X Anamorphic Lens MK2 is one of the best. Put the icing on your video cake with beautiful horizontal lens flares created using this 1.33X Anamorphic Lens.


Or add a color balancing filter to compensate for different light characteristics, or a neutral density filter to uniformly reduce the amount of light entering the lens in situations where the contrast between light and shadow is too great to produce an acceptable result.


No more need to try and fudge things in post-production to try and achieve a cinematic look. Now you can create it directly in your smartphone using this incredible 1.33X Anamorphic Lens. A whole new world of creative possibilities are now open to you when you attach this professional-grade smartphone lens to your mobile rig.


Blade Runner 2049, Passengers, 1917, Ad Astra, The Dark Knight and Avengers Endgame were all shot in the anamorphic aspect ratio to provide them with an epic scale and a kind of big screen credibility that is simply not possible using standard lenses.


Who doesn't love those cinematic horizontal flares. Using high-quality lens coating our new Pro Series 1.33X Anamorphic Lens MK2 will give you that beloved by many horizontal lens flares. These organically produced flares will make your footage look like a movie on a big screen.


Yes, it is compatible with your phone! A year in development and simultaneous testing with different smartphone brands allowed us to make a lens that is compatible and will bring a superior image quality to iPhone and Android phone users. No need to look any further, the best Anamorphic lens has officially landed!


Beastgrip Pro Series 1.33X Anamorphic Lens MK2 will allow you to film on your phone in widescreen 2.4:1 format and get a cinematic look. Capture a 33 percent wider horizontal field of view with a unique perspective and beautiful anamorphic lens flares.


Beastgrip Pro Series 1.33X Anamorphic Lens MK2 is designed to give you optimal performance and produce excellent results on any phone. High-quality materials and professional-grade cylindrical optics with AR coating make this lens #1 in its class. Take your cinematic shots to the next level and get an unmatched quality of your footage while filming with this new anamorphic.


* 62mm filter mount is not directly compatible with Beastgrip 58mm Filters. The lens includes a 62-58mm step-down ring to accommodate Beastgrip 58mm filters. Please note: using 58mm filters with this lens via a step-down ring may cause vignetting on the 24mm main wide camera. Camera zoom of about 5% will be required to eliminate vignetting. We recommend using 62mm filters or larger filters of at least 77mm with step-up rings for the best performance.


Laowa Proteus Series is the latest and the most accessible professional anamorphic series for Super 35 sensors with a 2X constant squeeze ratio. This series comes in 4 focal lengths and features a universal T2 aperture, delivering excellent image quality and consistent classic anamorphic characteristics including elliptical bokeh and signature flares with blue, amber and silver options.


PL mount in default, an interchangeable EF bayonet is included in the package. A hard case is included. Imperial / Metric versions are available. 4-lens set will be delivered in 2 hard cases.


With their oval-shaped elements, anamorphic lenses were originally designed to capture a wider aspect ratio onto the standard 35mm film frame size. When edited into their proper aspect ratio, or de-squeezed, these images have an especially cinematic look and feel. Additionally, anamorphic lenses can achieve unique horizontal lens flares and bokeh due to their design.


There is a wide variety of uses for an anamorphic lens. But generally speaking, they are great for any kind of artistic filmmaking. Because they can capture a wider range of view and more vertical resolution than spherical lenses, they are a great choice for anyone looking to achieve a cinematic look in their work. Anamorphic lenses are usually quite bulky, and due to their design and purpose, they can be costly. One brand, however, has cracked the code for affordable anamorphic lenses.


Finally, do your own research. Figure out what people are saying about the lens you are interested in. More specifically, look into its compatibility with your specific camera body. Doing this kind of research when shopping for a new lens will make the decision a whole lot easier.


The Criacr 9-in-1 Lens Kit set stands out from similar clip-on options by offering an array of lenses to expand your smartphone photography options. Two wide-angle lenses, two macro lenses, a 2x telephoto zoom lens, a 198-degree fish-eye lens, a circular polarizer/linear lens, a starburst lens, and a kaleidoscope lens all fit inside a carrying case with a carabiner attachment. In terms of image quality, these lenses are a noticeable step down from any Moment lens, with some blurring throughout the frame. The clip-on mount can be easily bumped, causing further image-quality problems, but these lenses are a fun and affordable way to experiment prior to committing to a more expensive setup, and they work with your front-facing selfie camera.


Mobile-photography and videography enthusiasts should consider higher-quality lenses that are heavier and more expensive but produce exceptional results. Using lenses such as these, you get many of the imaging capabilities of a cheap point-and-shoot camera, with the familiar interface, mobility, and connectivity of your phone.


The variety of testing conditions allowed us to see how the lenses perform in real life, helping us determine not just how they perform photographically but also how convenient they are for shooting on the go. After every testing round, we carefully review the results to determine which models are acceptable, and we consider this further hands-on experience in reaching our final conclusion.


The 2.0 version of the Moment wide lens is larger than its predecessor, and more glass can mean more opportunity for sun flare, which we observed on occasion. A well-placed hand may suffice in lieu of a lens hood.


Anamorphic lenses are an asset in any filmmaker's toolbox. As a creator, you're faced with tough choices when it comes to your masterpiece. However, when asking yourself 'How do I make this story look great on the screen?' that's where an anamorphic lens is pretty badass.


If you're already familiar with the 'what's' and 'why's' go explore the best anamorphic lenses for camera or if you're looking for a more affordable solution check out our guide on best anamorphic lenses for your phone.


Anamorphic lenses have over time become a runaway favourite for everything from professional cinematographers to up-and-coming indie filmmakers. Their ultra-wide rectangular aspect ratios, long horizontal flares and their characteristic oval bokeh has made these lenses the ultimate go-to in the filmmaking world.


Moreover, the anamorphic lens changes the dimensions of an image in one axis; allowing for a wider field of view and squeeze that same image onto a narrower sensor. Essentially, these lenses maximize the use of the sensor by fitting more footage onto the sensor.


It's important to note that the images captured through your anamorphic lens need to be stretched in post-production or when projected. Failing to do this will quickly turn your magic carriage into a rotten pumpkin!


The film industry quickly recognised the potential of anamorphic lenses, especially the ability to capture wide-angle shots to combat the rise in popularity of the televisions - which were at the time finding themselves in many American households.


Shots from this lens created an exciting widescreen effect which could not be replicated in the home, forcing Americans to go to the cinema. Plot twist, then streaming services like Netflix and HBO came, making every living room a cinema. But that's another story. Where was I?


Widescreen was pulled off by using lenses that capture a wider aspect ratio and squeezing the image onto a narrow film strip. This is known as CinemaScope, a filmmaking process in which a motion picture is projected on a screen, with the width of the image approximately two and a half times its height. 041b061a72


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